544 Free Artworks of Hand Colored Aquatints

aquatint prints in the yale center for british artyale center for british artthomas rowlandsonromanticismhand-colored etching and aquatintnational gallery of artprints in the national gallery of art (washington, d.c.)paperdaniel thomas egertonedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
La Rose mal defendue (The Poorly Defended Rose), Philibert-Louis Debucourt, in or after 1791
prints in the national gallery of art (washington, d.c.)works after philibert-louis debucourt
Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken
aquatint prints in the yale center for british arthenry thomas alken
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken
aquatint prints in the yale center for british arthenry thomas alken
Racing [set of four]: The High Mettled Racer. 1. The Racehorse, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
The Enterprize Steam Vessel, passing through Madras Roads, Theodore Henry Adolphus Fielding, 1825
aquatint prints in the yale center for british arttheodore henry adolphus fielding
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Running, Thomas Rowlandson, published 1804
etchings in the national gallery of art (washington, d.c.)romanticism
London Docks: 6 Views: New Dock, Wapping, 1803, William Daniell, 1808
aquatint prints in the yale center for british artwilliam daniell
Two of a set of six: 2. Wood-Cock Shooting., Robert Dodd, 1790
aquatint prints in the yale center for british artrobert dodd
La petite Sirène, Malo-Renault, circa 1915
etchings by émile malo-renault1910s etchings
Comforts of Bath, Plate 7, Thomas Rowlandson, 6 January 1798
satirical art worksromanticism
Bookseller and Author, Thomas Rowlandson, 1784
prints in the national gallery of art (washington, d.c.)romanticism
Mr. Bullock's Exhibition of Laplanders, Thomas Rowlandson
prints in the national gallery of art (washington, d.c.)romanticism
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820
aquatint prints in the yale center for british artisaac robert cruikshank
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Overdrove Ox, Thomas Rowlandson, 1787
prints in the national gallery of art (washington, d.c.)romanticism
A Penny Barber, Thomas Rowlandson, 1789
prints in the national gallery of art (washington, d.c.)romanticism
Rustic Courtship, Thomas Rowlandson, 1785
prints in the national gallery of art (washington, d.c.)romanticism
Grog on Board, Thomas Rowlandson, 1789
prints in the national gallery of art (washington, d.c.)romanticism
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805
aquatint prints in the yale center for british artjames gillray
Kanonen, Hans Nikolaj Hansen, 1909
prints by hans nikolaj hansen in the statens museum for kunstcoldpoint and aquatint
The Long Room, Custom House (Microcosm of London, plate 28), Augustus Charles Pugin, 1 July 1808
aquatint prints in the metropolitan museum of artmicrocosm of london, volume 1
Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Four O'Clock in Town, Thomas Rowlandson, 1788
prints in the national gallery of art (washington, d.c.)romanticism
The Consultation, Thomas Rowlandson, published 1785
prints in the national gallery of art (washington, d.c.)romanticism
The Course, Thomas Rowlandson, probably 1789
prints in the national gallery of art (washington, d.c.)romanticism
Lere vue d'Aigleville, Colonie du Texas ou Champ d'Aslie, Jean-François Garneray, circa 1830
aquatint prints in the yale center for british artjean-françois garneray
Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
A Squall in Hyde Park, Thomas Rowlandson, 1791
prints in the national gallery of art (washington, d.c.)romanticism
Resurrection, or The Frighted Nurse, Thomas Rowlandson, 1784
prints in the national gallery of art (washington, d.c.)romanticism
Villa, Gabriel Lory, 1811
prints in the national gallery of art (washington, d.c.)aquatint prints
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
'Kerbo, fra vejen mellem Bragnæs og Christiania', Heinrich August Grosch
prints by heinrich august grosch in the statens museum for kunsthand colored aquatint
'Motherhood, Holland', etching, aquatint hand-colored with watercolor by Charles W. Bartlett, 1912, Charles William Bartlett
charles w. bartlett in the honolulu museum of artintaglio prints by charles w. bartlett
The High-Mettled Racer, Samuel William Fores, 20 July 1789
the elisha whittelsey collectionsamuel william fores
Alessandro Sanquirico - Interno del Santuario (set design for the opera 'Semiramide' by Rossini, La Scala, 1824) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Halifaxviewfromdavismill, George Isham Parkyns
halifax, nova scotiaetchings
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
A Bawd on Her Last Legs, Thomas Rowlandson, 1792
prints in the national gallery of art (washington, d.c.)romanticism
Place de Meir at Antwerp, Thomas Rowlandson, 1797
prints in the national gallery of art (washington, d.c.)romanticism
Cattle Not Insurable, Thomas Rowlandson, published 1809
prints in the national gallery of art (washington, d.c.)romanticism
[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832, Charles Bentley
aquatint prints in the yale center for british artcharles bentley (painter)
[Fox-hunting] set of four: (3) Full Cry / Hounds Crossing the Brighton Road at Mersham, Dean Wolstenholme the younger
aquatint prints in the yale center for british artdean wolstenholme jr.
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
'Christiansborg, a Danish Settlement on the Gold Coast, Africa', John Hill, 1806
prints by john hill (artist) in the statens museum for kunsthand colored aquatint
Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90
william holland (publisher)romanticism
View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane, Edward Hughes, 1832
aquatint prints in the yale center for british artpre-raphaelite brotherhood
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni, James Gillray, 1794
aquatint prints in the yale center for british artjames gillray
Noël Paymal Lerebours 04 Paris, 1842
19th-century etchingsnoël paymal lerebours
The Lawyers Last Circuit, Thomas Rowlandson, published 1802
prints in the national gallery of art (washington, d.c.)romanticism
The Monkey Room in the Tower, Thomas Rowlandson, published 1799
prints in the national gallery of art (washington, d.c.)romanticism
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter", James Gillray, 1806
aquatint prints in the yale center for british artjames gillray
The High-Mettled Racer, John Hassell, between 1789 and 1812
the elisha whittelsey collectionjohn hassell (artist)
[Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check..., Henry Thomas Alken, 1834
aquatint prints in the yale center for british arthenry thomas alken
[Fox-hunting] set of four: (2) Fox Breaking Cover / At Upper Gatton Seat of the Duke of St. Alban's, Dean Wolstenholme the younger
aquatint prints in the yale center for british artdean wolstenholme jr.
Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823,..., Edward Duncan, 1840
aquatint prints in the yale center for british artedward duncan
[Fox-hunting] set of four: (4) Fox run to Earth / View of Popes Pit, Near Walton Heath, Dean Wolstenholme the younger
aquatint prints in the yale center for british artdean wolstenholme jr.
Jonge vrouw met waaier, RP-P-OB-38.267, Edoardo Tofano, between 1848 and 1920
edoardo tofanoorientalism
A Kick-up at a Hazard Table, Thomas Rowlandson, published 1787
prints in the national gallery of art (washington, d.c.)romanticism
Alessandro Sanquirico - Sotterraneo (set design for opera 'Elisa e Claudio' by Saverio Mercadante, 1821) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoelisa e claudio
Courtship in Low Life, Samuel Alken, 15 December 1785
the elisha whittelsey collectionsamuel alken
The Triumph of Hypocrisy, Thomas Rowlandson, 11 January 1787
samuel collingsromanticism
Alessandro Sanquirico - Prigione sotterranea (set design for opera 'Ciro in Babilonia' by Rossini - Milan, 1818) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Copenhagen Cathedral Fire (1807) - *Our Lady Tower*, Gerhard Ludvig Lahde, circa 1807
history paintings by christoffer wilhelm eckersberggerhard ludvig lahde
Niagara Falls from Foot of Staircase, William James Bennett, 1829
prints in the national gallery of art (washington, d.c.)john hill (artist)
The Dinner, Thomas Rowlandson, 1787
prints in the national gallery of art (washington, d.c.)romanticism
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